|1. English literature||6. experimental|
|2. autobiography||7. video|
|3. lab(oratory)||8. framework|
|4. practical skills||9. editor|
|5. novices/beginners||10. sequence/order|
For my short presentation today, I’m going to summarise the work I’ve done so far on my research project: to explore expertise in creative writing. Essentially, I’ll share with you the process I underwent to gather my interim findings.
First of all, I should give a little relevant background information about myself - before I started my current degree course in cognitive psychology, I studied English literature and, as you can imagine, this meant I spent a great deal of time thinking about the notion of creativity and what makes people develop into successful writers. However, the idea for this research project came from a very specific source - I became fascinated with the idea of what makes an expert creative writer when I read a well-known twentieth century writer’s autobiography. I won’t say which one, at this stage, because I think that might prejudice your interpretation! Anyway, this got me thinking about the different routes to expertise. Specifically I wondered why some people become experts at things whilst others fail to do so, in spite of the fact that they may be equally gifted and work equally hard.
I started to read about how other researchers had explored similar questions in other fields. I began to see a pattern - that those studies which involved research in a lab were too controlled for my purposes and I decided to avoid reading them. I was quite surprised to find that the clearest guidance for my topic came from investigations into what I call ‘practical skills’ such as hairdressing or waiting tables. Most of these studies tended to use a similar set of procedures, which I eventually adopted for my own project.
Student: I’ll now explain what these procedures were. I decided to compare what inexperienced
writers do with what experienced writers do. In order to investigate this, I looked for four people whom I regarded as real novices in this field - which proved easy ... perhaps unsurprisingly. It proved much harder to locate people with suitably extensive experience who were willing to take part in my study. I asked the first four to do a set writing task and as they wrote, to talk into a tape-recorder ... a technique known as ‘think aloud’ ... this was in order to get experimental data. Whilst they were doing this, a research assistant recorded them using video - I thought it might be helpful for me in my transcriptions later on. I then asked four experienced writers to do exactly the same task. After this, I made a comparison between the two sets of data and this helped me to produce a framework for analysis. In particular, I identified five major stages which all creative writers seem to go through when generating this genre of text. I think it was fairly effective but still needs some work ... so I intend to tighten this up later for use with subsequent data sets.
I then wanted to see whether experienced writers were actually producing the better pieces of writing. So I asked an editor, an expert in reviewing creative writing, to decide which were the best pieces of writing. This person put the eight pieces of work in order of quality - in rank order - and, using his evaluations, I was then able to work out which sequence of the five stages seemed to lead to the best quality writing.
Now my findings are by no means conclusive as this point ... I still have a long way to go but if any of you have any questions, I’d be happy to answer them and ...